Bastille is known for its indie rock vibes and electro pop undertones. The band’s new album “Wild World” gives off same impression everyone remembers them by. To say the least, their followers have mixed reviews on the content of this album, as do I. With a three year time gap between their previous and newest album, people have had time to ponder the grand arrival of “Wild World.”

Bastille is a British boy group formed in 2010. The lead singer, Dan Smith, was initially a single soloist, but later decided to form what we know as Bastille along with Chris Wood (drums), Will Farquarson (guitar) and Kyle Simmons (keyboards). Their breakthrough album, “Bad Blood,” was luxuriant with gratifying tunes; specifically their hit, “Pompeii,” a song that launched them into unanticipated fame. “Bad Blood” sold millions of copies worldwide, and with the continuation of their unique alternative rock sound, there’s no reason this new album won’t do the same.

One of the many thing I love about Bastille’s work is the personal anecdotes written in their lyrics. For example in their new song “Good Grief” is about the emotional pain of losing someone, most likely a mother. Another deep song, “Fake It,” talks about not wanting to give up on a lover. I really adore this, sharing your deepest feelings and thoughts with the universe can be difficult. I applaud them on being very open with their audience.

These new songs off “Wild World” may be invigorating, however “Wild World” sounded almost too similar to “Bad Blood,” but staying in their categorized sound isn’t a crime. I think “Good Grief” has a similar rhythm to their other hit song “Pompeii.” Recycled beats are sometimes an artistic style, although I think sticking to a theme is certainly a plus.

It’s no huge surprise this album gets a grade of B, and there’s no reason why they won’t keep dazzling their fans. I am looking forward to see what they do in the future.